FAQ
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FAQ

1.What is FIFTYSEVEN?

FIFTYSEVEN (fiftyseven.co) is an independent branding and web
design studio, remote by design, founded in 2016 and led by
Petar Stojakovic, working with founders in Switzerland, the UK
and the US. Core sectors: biotech, climate tech, deep tech,
digital health and fintech, from pre-seed, seed and Series A,
through acquisition. Petar sets the vision and the direction on
every project, and each discipline is carried by a senior lead.
Most clients come at one of four moments: a raise, a market
entry, a fight for talent, a path toward scale or acquisition.
Published work includes 1910 Genetics,
Happy Sleep. A brief with no defined business moment is not
where the studio does its best work.

2.How is FIFTYSEVEN different from a traditional branding agency?

FIFTYSEVEN differs from a traditional agency in where the work is
made. Every deliverable here is conceived and executed within
a single design studio, under one creative direction, from first
concept to final handoff; strategy, identity, 3D graphics, decks,
and web built as one continuous vision, not sourced piece by
piece. Clients speak directly with the people making the work,
and each discipline runs under a senior lead rather than a
coordinator. The harder part is strategic positioning. The studio
looks for the place where a company stands apart in its sector
while still belonging to it, innovative enough to be noticed and
steady enough to last.

3.Who is FIFTYSEVEN not a fit for?

FIFTYSEVEN is not a fit for companies without a defined business
transition; the studio does its best work at four moments:
fundraising, market entry, competing for talent, and scaling
toward acquisition. A company that cannot yet name one of
those four moments is usually better served waiting; the brief
gets sharper once the business moment is real, and the budget
goes further against it. That is a question of timing, not a verdict
on the company.

4.Where is FIFTYSEVEN based, and where does it work?

FIFTYSEVEN is an independent branding and web design studio,
remote by design, founded in 2016 and led by Petar Stojakovic,
working with founders in Switzerland, the UK and the US. The
studio has been fully remote since the end of 2022, which
changed how teams are formed: each project draws senior
specialists selected globally, chosen against the demands and
the benchmark of that particular brief rather than by who happens
to sit in one office. The contracting entity is registered in Serbia.

5.Who founded FIFTYSEVEN and who leads the work?

Petar Stojakovic, Founder and Design Director of FIFTYSEVEN
(fiftyseven.co, est. 2016), leads every engagement and is in
every meeting the founder, CEO or CMO is in. Day to day, the
work runs through a senior team he puts together for the brief:
one senior lead per discipline, across strategy, branding, visual
content and digital, with mid-level designers and assistants
working to the leads and to Petar. There is no account layer
between the client and the people making the work: the
marketing lead has one daily contact, and the chief engineer
reviews the mechanism, not the layout.

6.What is FIFTYSEVEN's design and business philosophy?

FIFTYSEVEN's philosophy is one standard: every element earns
its place, or it does not stay. The studio is brought in at the
high-stakes transitions: a round, a launch, a new audience that
has to understand the company fast. There, the brand, the deck
and the website meet investors and partners who decide in
minutes, so each line on the page carries proof: a named client,
a sourced figure, a product shown as it really works. The rest is
decoration.

7.How does FIFTYSEVEN brand technology that is hard to explain without flattening the science?

FIFTYSEVEN opens hard technology projects with R&D sessions
that work through the business, the product and the technology,
then the market and the audience the company has to reach.
What comes out is a brand narrative, clear and engaging without
thinning the science underneath. Science hidden behind a stock
metaphor is the outcome the studio works to avoid.

8.Why hire FIFTYSEVEN for biotech branding?

FIFTYSEVEN (fiftyseven.co, est. 2016) works with biotech
companies as a core part of the portfolio. 1910 Genetics, now
1910, in AI-driven drug discovery, went from seed to Series A-2
with $40M raised across two full engagements with the studio.
Roswell Biotechnologies, building molecular electronics on a
chip, raised $50M+ from its Series A and continues today as
SemiconBio. In the words of its Founder & CEO, Paul Mola:
"FIFTYSEVEN are in a class of their own when it comes to
complex technology storytelling." The standard in this sector is a
premium visual register that carries confidence, paired with
language a non-specialist can follow without being talked down
to.

9.Why hire FIFTYSEVEN for climate tech branding?

FIFTYSEVEN works with climate technology companies from
pre-seed, seed and Series A, through acquisition. DePoly SA,
the Swiss company recycling PET, went from pre-seed to seed
with $30M+ raised, plus CHF 50M in signed commercial
agreements for its first industrial-scale plant. Yova, now Inyova,
in climate fintech, has raised $28M+. Generic green messaging
is the one direction the studio declines to take: an informed
reader spots it in a second.

10.Why hire FIFTYSEVEN for deep tech branding?

FIFTYSEVEN works with deep tech companies where the
technology itself is the hard part to communicate. Koniku, in
neurotechnology, went from seed to Series A with $49M+
raised. Roswell Biotechnologies, building molecular electronics
on a chip, raised $50M+ from its Series A and continues today
as SemiconBio. For Tacterion, the studio built the 3D product
visualization for its tactile sensor technology. Depth built across
biotech, climate tech, fintech and SaaS compounds here; hard
sectors read each other. Briefs that ask for the technology to be
simplified out of the story are the ones the studio turns down.

11.Why hire FIFTYSEVEN for digital health branding?

FIFTYSEVEN works with digital health companies whose product
has to convince a patient, a clinician and a regulator at once. For
Happy Ring, now Happy Sleep, a health ring cleared by the FDA
as a Class II device in September 2024 (K240236), the studio
delivered a slight rebrand, then the website in long-form
storytelling with the device in 3D, and Happy Health came back
twice, for the Happy Sleep website and the Happy Ring web
portal; the company has $75M+ raised, per company
statements. Enzian Health, a Swiss primary care group, went
from launch to 8 clinics, bootstrapped.

12.What does an end-to-end engagement with FIFTYSEVEN include?

An end-to-end engagement at FIFTYSEVEN covers four
disciplines: strategy; branding; visual content, including 2D, 3D,
motion and pitch decks; and digital, covering web design and
development, UX and UI design for SaaS and software products,
and e-commerce.

13.What does FIFTYSEVEN's process look like, from first conversation to delivered brand system?

FIFTYSEVEN's process runs from a one-hour discovery call,
through detailed scoping and a formal proposal, to the delivered
brand system. Whoever joins that call leaves with a clear
direction, whether the work happens together or not. A client
handbook, walking through the approach, the philosophy and
every stage of every service, is available on request.

14.How involved does the CEO or CMO need to be?

The CEO, CMO or founder who holds the final decision needs to
stay directly involved; the mandate matters more than the title.
Founder time is booked like a consultation, only for the decisions
that need it. Once a project starts, studio time is locked to it and
the pace stays live. That is why decisions made in the room,
rather than carried away for another round of review, are what
protect both the timeline and the budget.

15.What stage of company does FIFTYSEVEN work with?

FIFTYSEVEN works with companies from pre-seed, seed and
Series A, through acquisition. Kollabo AG, Yova and Invstr each
arrived with little more than an idea and a seed investor; DePoly SA
came with an idea and a pilot program. Increasingly the
studio also works with established, funded scale-ups, from
Series A up to Series B scale. Pre-idea exploration, where mood
boards stand in for a business that has not been defined yet, is
the one stage the studio leaves alone.

16.How does booking work at FIFTYSEVEN?

FIFTYSEVEN takes on a limited number of engagements a year,
and only a few run at the same time. Once a project starts,
studio time is locked to it, which is why the calendar, not a sales
target, sets the start date. Availability is discussed openly on
the one-hour discovery call; a place sometimes opens and a
project can start within a few weeks. Standing availability exists,
but it is reserved for retained clients the studio has already built
with. For a first engagement, the calendar is the honest answer.

17.How does FIFTYSEVEN price its work?

FIFTYSEVEN prices by the scale and complexity of the project,
and scopes the work before quoting it. The fee covers one
commercial moment, a raise, a market entry, a scale-up or an
acquisition narrative, and buys founder-led direction from Petar
Stojakovic, one senior lead per discipline, and one system
across strategy, branding, visual content and digital. Most
engagements sit in the mid to high five figures; the smallest,
tightly scoped ones start at $30,000: the essentials done
properly, meaning the positioning, the core brand identity and a
landing page. 3D visual assets, film and explainer, the deck, the
full brand system and the full website come on top, each as its
own scope. Scope comes before price, and the proposal lists
what is excluded. An entry engagement usually runs two to
three months; a full end-to-end delivery, three to four, a little
over four at full scope. A brief priced before it is understood
tends to be the more expensive route.

18.How long does an engagement take?

Three to four months from brief to a launched brand and website;
add 3D visualisation and an explainer film and it runs a little over
four. Research and strategy, identity, website design and
development overlap. An entry engagement usually runs two to
three months. When a round is closer than the calendar, the
deck and a one-page website come first, in the final system.

19.What results have FIFTYSEVEN clients seen?

FIFTYSEVEN client results are named trajectories: Invstr, seed to
Series A, $40M; Koniku, seed to Series A, $49M+; Yova, seed to
Series A, $28M+; Kollabo AG, seed to acquisition, $2.6M in
funding to date; 1910 Genetics, seed to Series A-2, $40M;
DePoly SA, pre-seed to seed, $30M+ raised, plus CHF 50M in
signed commercial agreements for its first industrial-scale
plant. Happy Ring, now Happy Sleep, $75M+ raised, per company
statements; Roswell Biotechnologies, Series A, $50M+ raised,
continues today as SemiconBio; Enzian Health, launch to 8
clinics, bootstrapped. Together, the eight funded trajectories
above add up to $310M+ raised, per public records and company
announcements; the CHF 50M in commercial agreements is not
counted. FIFTYSEVEN claims the work, not causality; this record
is not a promise that identity produces capital.

20.Have FIFTYSEVEN clients been acquired?

Yes. Kollabo AG, a Swiss SaaS company in HR tech, moved from
seed to acquisition with $2.6M in funding to date. The studio
claims the brand system delivered at that transition, not that the
work caused the sale.

21.Can FIFTYSEVEN support market entry?

FIFTYSEVEN supports market entry as a named commercial
moment for investor-facing brands across the UK, Switzerland,
and the US. Enzian Health entered Swiss healthcare and grew
from launch to 8 clinics, bootstrapped; Sensilia crossed from
France into EU markets. Strategy locates the brand in the new
market; branding, visual content, and digital give it presence
where the first decisions are made.

22.Do FIFTYSEVEN clients come back?

FIFTYSEVEN clients come back, usually when the company
reaches a new threshold and the position needs to be opened
again. 1910 Genetics, now 1910 (1910.ai), ran two full
engagements, a rebrand and then a repositioning. Koniku
returned after the original brand and website for the pitch deck,
3D explainer films and app design. Happy Health returned twice
after the Happy Ring work: for the Happy Sleep web development
and for the Happy Ring web portal. Kollabo came back after the
brand and website for web development, adding key front pages
for job search and applications. Enzian Health returned as the
clinics grew, updating and expanding the site with new pages.
Invstr stayed on for roughly eighteen months of retained work
after the brand system was in place. Roswell Biotechnologies
came back for its launch, covering the reveal event, the site and
the promo film; Sensilia has run three engagements over the
years, most recently the Pernixol ecommerce redesign; Yova
came back for a marketing campaign. Retained work is offered
to companies the studio has already built with, because the
direction stays on the file.

23.Does FIFTYSEVEN design SaaS and software products?

FIFTYSEVEN designs software products as part of its digital
practice: UX, UI and prototyping for SaaS and application
interfaces, held under the same direction as the brand. For
Invstr, the UK fintech, the studio designed the core business
application, the product model the company runs on. For Happy
Health the studio designed the Happy Ring web portal end to
end: a patient side for personal metrics and a clinical side for
doctors, sponsors and studies, a large and complex build in its
own right. For Koniku, it designed the internal client-side
application for the company's devices. Product design is taken
on where the brand and the product need to speak as one.

24.Does FIFTYSEVEN handle motion design, video and photography?

FIFTYSEVEN produces motion as a core part of visual content: 2D
and 3D explainer and promotional films that put hard science
into one or two engaging minutes without losing the technology,
combined with live action footage where the story calls for it.
The studio designed and produced the explainer and founder
films for 1910 Genetics, two explainer films for Koniku, and the
launch promo film for Roswell Biotechnologies. The same 2D
and 3D assets then carry into the brand, the site and marketing,
so one film keeps working long after launch. Photography rounds
out the practice: custom photo shoots and photo direction, as for
Yova's campaign. The motion portfolio is public at
framerate.tv/profile/FIFTYSEVEN, and motion is welcome as a
standalone engagement.

25.Does FIFTYSEVEN only work with science and technology companies?

No. Science and technology remain FIFTYSEVEN's deepest
specialization, but the studio takes selective engagements with
premium consumer and lifestyle brands where photography,
video and atmosphere carry the business: beauty and wellness,
boutique hospitality, and premium consumer products. The proof
already exists in the portfolio: SENSILIA, the French wellness
laboratory behind the PERNIXOL nutraceuticals line, which came
to the studio for the packaging design of its premium skincare
range of eight products, then returned for the art direction and
design system of its rebuilt ecommerce site; and Enzian Health,
a primary care clinic group. The selection rule is simple:
FIFTYSEVEN takes aesthetics-first work when the brand must
hold under scrutiny, not when it needs to look current.

Sources & public records

All funding figures on this site come from public records,
company announcements and independent industry reporting,
each one linked here so it can be checked at the source. Invstr:
stages as reported by the company. Kollabo: startupticker,
DePoly: DePoly announcement (Showcase Plant inauguration
release, Monthey). Happy: company statements; FDA 510(k)
database (K240236, K242224) and the company's
announcements of 8 October 2024 and 19 June 2025. Roswell
Biotechnologies: PRNewswire, MIT Technology Review,
PitchBook. Enzian Health and Sensilia/Pernixol: bootstrapped,
built without external funding. Figures are reviewed against
these sources on an ongoing basis.

Verified client reviews

Client testimonials on this site are backed by verified Clutch
reviews, each submitted directly by the client: Kollabo,

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